Emigré

Emigré , a Sepember 29, 1974 site-specific performance, with painted revisions (Aquatic Park,
San Francisco). Color positive film with india ink © Margaret Fisher. More photos






About the work

In reaction to the political upheaval in government (Watergate) and the economic plight of artists in California who were living at a subsistence level, Emigré announced an open call to artists and friends to emigrate from the Bay Area in a two-part happening. On September 28, 1974 participants gathered at Cat’s Paw Palace, a new artist-run theatre in Berkeley for experimentation in the arts. The evening's event, “Leavin’ Blues,” described as “dance/theatre/music/restaurant theatre,” prepared performers for the following day's emigration with a celebration of the “natural migrations of living things, as well as the migrations of snow, glaciers, rocks, rivers, hurricanes, wind, clouds, tornadoes, rain, seeds, pollen, sound, breath, dust, tumbleweed, ideas, impulses, planets, comets, meteors, lightening, light” (from the program).

On September 29th, approximately twenty participants gathered at Aquatic Park. They wore clothes appropriate for emigration under duress and were asked to bring to the park a bundle containing only those items they would select if notified on a last-minute basis that they must emigrate immediately. They arrived with baskets, bundles, cages, and old suitcases. The quarter-mile walk from the western to the eastern end of the park proceeded with everyone taking one step every thirty seconds. The time sense was distorted as was the relationship between the 'emigrants' and passers-by, sun-bathers, swimmers, and traffic, all caught in a super-8 film of the same name which condensed the four hours of walking into three minutes of film.

During the walk, Suzanne Helmuth and Margaret Fisher performed Seatrain, a “natural dance duet,” during which Fisher almost drowned when her cotton sleeping bag weighed her down in the water. Images of the event survive as documentation and a revised performance was documented on hand-painted color positive film.

           Film/Video Credits

  • Performance vignettes: Janet Jacobson, Suzanne Hellmuth, Margaret Fisher
  • Produced by: 1974, Cat's Paw Palace; and 2017, MAFISHCO
  • Directed, Edited by: Margaret Fisher
  • Director of Photography: David Heintz
  • Funding: Conimicut Foundation, Berkeley.
  • Genres: Music Video. Dance Video. Experimental Video.
  • Original Media: Super 8   Release date: 2017  TRT: 5 minutes.

Additional Credits

  • Concept and Direction:  Margaret Fisher
  • Performers:  Suzanne Helmuth, Janet Jacobson, Emmett Murray, Gail Simon, Beth Anderson, Jim Nollman, Sybl Chickenmint, Marta Morgan, Bruce Hurn, Marcia Bedard, Curt Siddall, and others.
  • Musicians, 1974:  Experimental Chorus of Musical Arts, Inc., directed by Betty Bronson
  • Hand painted color positive film: Margaret Fisher
  • Support: Point Foundation, San Francisco Neighborhood Arts Program, The University Art Museum, and California College of Arts and Crafts.
Emigré, photographic revisionism. Elements of Emigré were introduced into a 1977 shadow screen performance. Above: projected image of Suzanne Hellmuth from the 1974 performance of Emigré, with performance by Fisher behind the screen. The variant was embedded into the solo work Splitting . The Kitchen, New York, 1978. Photo: © Shigeo Anzai.


The original plan for Emigré was to disembark from the Hyde Street Pier where the 1891 clipper ship, the Alma was waiting to take participants to Angel Island, the staging area for Chinese immigrants between 1910 and 1940. Angel Island was the Ellis Island for Western states. The plans for arrival at Angel Island were to simulate the psychological distress common to human migration, with the performer 'emigrants' subjected to long periods of waiting exacerbated by the uncertainty of knowing when the Alma would return for them. State Park approval for the voyage was canceled at the last minute with no reason given.

The Alma, built at Hunter's Point in 1891 by Fred Siemer, was a cargo schooner used to transport hay. She was restored by the San Francisco Maritime State Historical Society in the 1960s (postcard published by Smith Novelty Col., San Francisco).   More photos