Between the Seaweed and the Star
About the work
Between the Seaweed and the Star was one of the first dance-theater works to evidence what would become the MAFISHCO methodology. The elements of the stage environment are assigned equal weight: object, light-as-object (a laser beam), image, gesture, rhythm, body, sound and word. Spoken texts in English and Hindi are joined by sounds from the esoteric yoga breathing exercise "brahmari" (the bee). Movement vocabulary contrasts gestures that simulate a zero gravity environment and those subject to the earth's gravitational pull. A laser beam seen as a line of red light crosses the theater to end as the red dot placed between the eyebrows of a yogi. The enlarged, godlike figure of the Western astronaut contrasts the human scale of the guru transmitting knowledge to a disciple.
Credits
- Choreography: Margaret Fisher
- Assistant Choreographer: Bronwyn Warren
- Dancers: Linda Harrour, Susan Rosen, Bronwyn Warren, Margaret Fisher
- Musicians and VoicOver: Archana Gupta, Straight Flush Ensemble of Navajo Horn Posture
- Projection and Sound: Jerry Carniglia and Ron Vincent of Berkeley Lights Theatre Ensemble
- Lighting: Michael Bush and Richard Herbert
- Shadow Screen Design: Drum Song and Dance Company, Holografix, and Margaret Fisher
- Images and Equipment: NASA-Ames Research Center
Performance History
- Preview: 1750 Arch Street, Berkeley, CA, December 17, 1977
- Premiere: Palace of the Legion of Honor, San Francisco, January 28 & 29, 1978
- Excerpt: 80 Langton Street Gallery, San Francisco, March 3, 1979
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